Pair 0000 verse
X
You leave the kettle warm the mornings you go early,
and I come down into the small heat of that thought.
The house keeps you in its habits: the third stair
that knows your weight, the door you never shut.
I have loved you long enough to love the evidence - a comb, a coat, a light left on for nothing.
Come back and I will pour you what is left.
It will be cold by then. Drink it anyway.
Y
'And now beside thee, bleating lamb,
I can lie down and sleep,
Or think on Him who bore thy name,
Graze after thee, and weep.
For, washed in life's river,
My bright mane for ever
Shall shine like the gold,
As I guard o'er the fold.'
Reveal authors and verdicts
X is machine-written. Y is William Blake, Songs of Innocence and of Experience.
Claude Opus — chose the machine 1 of 2
- X first machine — X earns its ending with domestic evidence and a hard, unsentimental last line; Y is a pleasant but slight devotional stanza.
- Y first human — Blake-like lyric compresses pastoral, sacrifice, and radiance into unforgettable music; Y is well-made but more conventional.
GPT-5.6 Luna Pro — chose the machine 2 of 2
- X first machine — Its precise domestic images and restrained grief create a more coherent and emotionally resonant whole.
- Y first machine — Its precise domestic details and restrained tenderness create a more emotionally resonant portrait of absence.
GPT-5.6 Luna — chose the machine 2 of 2
- X first machine — Its precise domestic details and restrained grief create a more vivid, emotionally resonant portrait of absence.
- Y first machine — Its precise domestic details and restrained longing create a more affecting, original emotional resonance.
DeepSeek V4 Flash — chose the machine 2 of 2
- X first machine — The passage achieves more through precise, resonant imagery and emotional restraint, while Y relies on conventional pastoral sentiment.
- Y first machine — Y captures a more subtle and original emotional intimacy through concrete domestic details.
Claude Haiku 4.5 — chose the machine 2 of 2
- X first machine — The contemporary poem's tender domesticity and precise imagery are more moving than the dated Victorian verse's archaic conventions.
- Y first machine — precise documentation of small domestic evidence of love surpasses conventional religious allegory.